My mom made most of my clothes when I was growing up. Well, many of them were originally made for my older sisters, but I ended up with them. That, however, is beside the point. The point is that when I would go to the fabric store to pick out my new skirts, dresses, etc., I almost always tried to find the fabric that was most similar to the picture on the front of the pattern envelope. Times have changed. Now I get an idea of what I want to make, think trough the patterns I have, and find the one that is closest to the basic shape I want. Wrong style of sleeves? No problem. I find a sleeve from another pattern and swap that in, until the finished product is what I want—which often has little relation to the picture on the front of any of the pattern envelopes. This is more or less what I mean by the tag “fun with patterns”. And this blog entry is going to show how I turned patterns for two evening gowns into one nightgown set.
For the second year in a row, I was fortunate enough to be voted as a calendar girl by the forums on a local website I frequent. No, not gonna provide a link…those of you who already know me from there don’t need the link, and since it’s not a sewing/craft/making stuff sort of forum, probably anyone else reading this wouldn’t really be interested in the site. Anyway, I chose February as my month, and decided to do something Valentine’s-y. Being a bitter old maid, I generally avoid such things, but I decided it would be good for me. Builds character. Besides, I’d been wanting an excuse to make a beautiful flowy negligee like in old movies.
For the actual nightgown, I decided something with a sweetheart neckline would be appropriately Valentine’s-ish. I remembered a pattern I had used for a previous Halloween costume. It’s a modern re-interpretation of a vintage pattern:
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However, I’m more comfortable when wearing sleeves. So the sleeveless model wouldn’t do, but when worn with the robe I wanted, the rather full sleeves wouldn’t do, either. Another dress pattern I have come to love has sleeves that are basically a thin band—enough to make me feel covered, but not particularly noticeable or distracting from the general look:
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Because this is just a nightgown, I decided it really wasn’t necessary to line it (the original dress pattern is fully lined). This did make it a little tricky doing the neckline. I ended up stitching a line at each of the corners, clipping, folding over the seam allowance, and stitching it down. Also, I wasn’t sure whether I would need a zipper. The original pattern has a back zip, and the zipper is definitely necessary in the previous dress I had made. However, I was making this gown in tricot, which has more stretch than the satin I had used before. If I did need a zipper, I wanted it on the left side, not the back. Fortunately, after stitching the right side and basting the left, I found that I could easily pull it on. No zip necessary!
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For the robe, I used a pattern that I have had for several years, but have never yet used for the project for which it was purchased:
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I also used tricot for the robe, but a very sheer pink tricot. Because of the sheerness, I used French seams throughout. The pattern calls for lining the bodice, but I didn’t. Other than that, I didn’t alter this pattern. However, after I finished sewing it, the real fun began! What is a classic flowy negligee if it isn’t dripping with feathers? I bought a few marabou boas from a local craft store…and then started puzzling over the best way to attach them to the edges. I wanted the feathers on the ends of the sleeves and the hem of the robe. I definitely did NOT want to stitch them on by hand. Finally, I thought of Liquid Stitch. I carefully applied the adhesive a few inches at a time, then pressed the boa in place with my fingers. It did get a little sticky, but was faster and easier than whipstitching it would have been! I found that half a boa was needed for each sleeve. For the bottom of the robe (which has a train), I used two boas. Because the bottom of the robe curves up into the front without a clear demarcation, I started at the center back and just glued until I ran out of boa. This way, I could be sure that the feathers would end at the same point on both sides.
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To finish off the look, I needed appropriate footwear. A quick trip to a discount shoe store netted me a pair of cheap heels that needed only a little alteration. I cut the bows off the toes, then covered the whole toe-band in more marabou. This time I used a hot glue gun (and, yes, got more feathers stuck to my fingers).
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The robe and the slippers are definitely costume items, rather than being particularly useful. However, the nightgown has earned its spot in my sleepwear collection!
Photo by Miriam Latour